When I finished the scarf I found myself with part of a ball of dark yarn, and part of a ball plus an untouched ball of the red yarn. I decided to try out using a larger hook on the yarn. First I worked a row of double crochet (in red), then for the next row I crocheted * 1 dc in each of next 3 dc. 1 Ch, skip 1 dc Repeat from * across ending with 3dc. I continued in a sort of chessboard filet pattern - the 3 dc at the end of each row, and then replacing the center dc of a 3 dc with a ch and doing a dc in the ch1 space. I love the airy, but warm (fluffy, with 18% mohair) fabric that resulted, and knew that it would make a great cuffed shawl. Of course now I was going to need another ball of the red...
The idea of a cuffed shawl is that you make a long rectangle - long enough to reach from one wrist to the other across your shoulders. Then you join the corners of each short end, making a cuff. When you put your hands through these cuffs, the shawl sits nicely across your shoulders. I love them. This one has the big red rectangle with sc in black along each of the long sides, and the cuffs also in black sc.
When Jerry left this evening to get Steven from scouts I was still crocheting. While he was gone I finished the crocheting, sewed in the ends with my new bone needle from Skinner Sisters . When he got home I was sitting here wearing my new shawl. He was surpirsed, and I am very pleased with myself.
One of the good sides of having to go to the US is that Linn Skinner could finally send me the books I wanted from her, along with a few other goodies. Linn is a good friend and a great teacher; one of my favorite thread people. International shipping just keeps getting more and more troublesome, so I try hard not to do it. This box might have been worth it, though. The bone needle made me feel like Ayla in Jean Auel's books, but besides that, it proved much easier to thread than I expected, and went through the threads like a dream. I love it!
Most of the books somehow fit into a suitcase, but two ended up in my carry on and got read on the plane. If you are interested in historical needlework, her new reprints are just super. I'm trying to figure out how to use the designs in the two I've read in ways that qualify for my challenge. The first design I want to use is credited to a Holbein portrait of Jane Seymour. NOT the Vienna one, but a very similar one, now attributed to his workshop, in The Hague.. Both seem to be based on the same sketch (also survived). The sketch doesn't show needlework around the cuffs. The two paintings do. The Vienna portrait shows a wide blackwork border, the Hague one a much narrower border that is mostly cross stitch. It's this cross stitch border I want to play with.
No comments:
Post a Comment