Dressing up over a century ago

For general specifics of the new exhibit 'Grosser Auftritt' at the Wien Museum, see my Vienna blog. For the stitcher, there is lots to oooh and aaah over. How much of those bands on the underwear are hand stitched, and how much already machine work? How long did it take to iron some of the underwear? There is a ball gown with straw embroidery. I had seen this sort of work before, but it still boggles the mind that you would do such a thing. On the other hand it covers better than thread. Other gowns had sequin embroidery, and it occured to me that it also is faster than working in metallic threads. (That wouldn't have anything to do with replacing hearts with lots of quarter stitches with beads and buttons on a sampler I'm working on, now would it?)

My favourite dress is a mother of the bride dress in black with a wide ivory lace collar. Parts of the collar are needlelace. Severe squares with fancy fillings. But around it is other lace that is rounded and less open. A very different feel. The catalog speaks of 'breitem Ätzspitzenbesatz'. Apparently another word for that is Guipure. As always, that gown only has a small picture in the catalog.

If you are going to be in Vienna, and have even a small interest in the textiles of the late 19th and early 20th centuries, this is a must.

Enjoying Retirement

Another magazine project. This time I changed the wording - both signs said 'Do not disturb!' - and used a piece of plywood and chain insead of card as the mount. I stitched on much lower count cloth than they had to get bigger signs.
Actually, it's one sign with the two designs front and back. Jerry will offer it to the group he is part of. If the office is open the person there would be free to use either side.

Eggbox

Steven is off on a school trip on Sunday. The students will be housed by parents of the host school, and he needed a host(ess) present. Vienna at this time of year has lovely Easter markets. I particularly like the one on Freyung. Jerry and I went there this week, and I had a lovely time chosing 6 eggs.

But it seemed a shame to house such lovely eggs in a plain grey cardboard egg box, so I decorated the box. The picture in the center is one Jerry took of the stand where I bought the eggs.

Art Nouveau flower bell pull

I turned a set of card designs in Cross Stitch Collection (February 2009, I think) into a bell pull. I'm quite pleased with the result. I loved the flowers as soon as I saw them, and I'm still delighted with them after stitching away for weeks. The stitching probably took about a month. Then it has taken a few more weeks to get the hardware so I could finish the bell pull.

Sorry, the name of the designer isn't on the page I have. I tear out the magazine pages I want to keep and laminate the patterns, but I'm not very careful about keeping information that isn't needed to stitch the designs.

Working on the egg

The egg is taking shape. Here you see the goose egg with lines from Revelations 5:12-13 in Latin, English, Greek and German wallpapered onto it. The wax lamb has also been painted, and will fit nicely, I think.

Now for the bunch of grapes and sheaf of wheat that I want to work into the decorations. And perhaps I'll crochet some gold lace.

Klosterarbeiten

Several years ago I was able to take part in a one day seminar on Goldwork with Linn Skinner. It was wonderful, it was fun, and it was also a lot of work. I don't remember clearly whether Linn called us back to order when we were tempted to just play with the purl, or whether the temptation and calling to order were all internal. But certainly that stuff is awfully fun to play with. If you've never used proper gold threads, they are couched down with regular thread, and most of them, purl, pearl purl, check ... are really springs.

Last night I had a chance to learn a craft that developed in the women's monastaries of the baroque era. Gold threads and precious stones were used to decorate various religious items. The club of creche makers has a monthly meeting for learning this. It turns out that what it is is playing with gold thread. I spent three hours learning some basic ways of playing. For example, you take a short length of a soft wide purl. You thread it on length of wire and twist the wire tight to form the purl into a ring. Then you squash it with flat pliers and make a simple flower shape. Or you take pearl purl, thread it, and then pull it apart a bit. Now do the twisty thing, and form that ring into a leaf or square or whatever. Then you take 'Wiener Gold' (which turns out to be very fine purl). You pull the end until you have a bit of kinky wire, and fasten the end to your working wire. Now wind the Wiener Gold around your shape either parallel or as a fan, or just wildly, pulling all the while to make a veil of thin kinky wire.

A few times my fibre reflexes got the better of me. We were using a check purl to make another layer around one of those wrapped leaves, and I wondered how we were going to get it to stay where we wanted it without spoiling the division between the veiled inner part and the free outer part. It wasn't until we were done that it dawned on me: this is wire, not thread. It just stays there all by itself!

The time just flew, and I found myself tired but happy, with a pile of finished units just begging to be made into something. I think I'll try to make an Easter egg with a triumphant lamb inside decorated with my little treasures. But I can't stop the little voice suggesting that this all started back in some monastary work room, with a bunch of novices who were supposed to be learning goldwork. The nun teaching them must have left the room, and they started playing instead of stitching. But they came up with something beautiful and convinced their superiors that they didn't really have what it took to become skilled embroiderers anyway. ...

Paraments on View at St. Stephan's

Until the end of the month there is a small exhibit at Stefansdom of paraments from 5 centuries. Actually, most of those on display are 18th century, but I'm never against seeing baroque goldwork. There is one that dates probably to the 15th century, and the most recent is still unfinished. My favorite was one from 1900. Goldwork again, but this time typical Jugendstil scrolls instead of the heavy overall work from the earlier examples.

It's a narrow winding staircase up (two way traffic!) but well worth it even just for the view of the church from the higher vantage point, and when you have this rich treasure of needlework to see as well it would be a shame to miss it.